
Made from your own materials
It starts from your pictures and your words, the way you wrote them. We bring them to life on the page.
Right now your deck is a PDF sitting in other people's inboxes, on their desktop, and every time you fix a page, the old one's still out there. We give it one living home and one link. Send it to crew, cast, producers and financiers, change it anytime and everyone sees the latest version, living with organic motion to express your vision further than a static PDF. And if someone still wants a file, you've got that updated PDF for them anytime too.
We start with what you've already got: your stills, your mood images, your footage and your words, just as you wrote them. Then we build it a home and bring it to life with movement and expression, one chapter at a time. Drag the line across to see a deck before and after.


It starts from your pictures and your words, the way you wrote them. We bring them to life on the page.

A laurel comes in or a date moves. Change it once and everyone you've ever sent the link to sees the latest. Nobody's stuck holding the old PDF.

Put a password on the whole deck, so only the people you send it to can get in.

Type your passcode, click any line, change it and save. It's live, and you didn't have to wait on us.

Your deck reads as chapters. A producer who only wants the characters can jump straight there. Someone else goes right to your director's statement.


Someone opens your link on their phone at a festival or in the back of a car. Every chapter is laid out for that screen from the start, so nothing gets squished.
Loops cut from your film, trailer or test footage. Your trailer, your storyboard animatic, a short intro of you pitching the film. It all plays inside the deck, so nobody has to click away.



Need a file for someone? Just ask, and we'll make a clean PDF from the live page and send it over.

Kyle Cassie designs and directs every deck. 28 years in film, 90+ productions directed and produced across LA, New York, London, Berlin and Vancouver. A pitch deck has one job, and that's to get a yes. Kyle also runs ad and marketing strategy at Cakesmash Media for medical practices, where an ad either brings patients in or it doesn't. He builds your deck with the same question in his head: what does the reader see first, and does it make them keep turning pages?
The work
“Working with Kyle is a dream. He has that rare ability to take your vision beyond what you imagined while remaining completely true to its heart. A storyteller himself, he brings extraordinary insight, creativity, and care to every collaboration. He doesn't just understand what you're trying to communicate. He finds ways to make it even more compelling.
Shortly after working with Kyle to reimagine the pitch deck for my feature film VIOLET, the project secured a shopping agreement with a U.S.-based production company. I couldn't be more thrilled with both the collaboration and where the project is headed.”
For decades a film was sold with a poster and a trailer. The biggest studios are rebuilding that plan. Paramount hosts screenings for TikTok creators. Disney signed a deal letting TikTok creators use Disney material in their own videos. Netflix put a vertical video feed inside its own app. Warner Bros. says creator videos beat its traditional ads 3-to-1.
We cut vertical ads for our clients all the time. When your film's ready, talk to us about cutting your own footage into vertical ads and getting them in front of an audience.
Talk to us about your filmAlready got a deck? Go Core or Premium and we'll take it from there. Got nothing yet but the film in your head? That's Studio. We build the whole thing with you.
Core
Your deck gets a home. You bring the deck, we build the site and the link.
Want it on your own domain? Setup is US$150 (CA$210), one time.
Apply for CorePremium
Your deck's home, and you hold the keys. Everything in Core, plus:
Studio
No deck yet? We build the whole thing with you from the ground up. Everything in Premium, plus:
Any other shoot is quoted separately.
Apply for StudioGet in touch
Don't polish it, a few lines is plenty. If the film has a site, or you do, drop the link so we know who we're talking to. We read every one and reply by email.